In 1998, fine arts adjunct associate professor Charles Meyer began photographing people living in the aftermath of religious or ethnic conflict. Man in Front of Bullet Riddled Wall was taken June 6, 1998, in the Croatian city of Vukovar, site of a devastating 87-day siege in 1991, during the Croatian war for independence. An exhibition of Meyer’s black-and-white portraits and triptychs—Witnessing Conflict: Photographs from the Balkans, Kosovo, South Africa, and Northern Ireland—will be on display at the Level Three Gallery in O’Neill Library through September 14.